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Subculture: The Meaning of Style
''Subculture: The Meaning of Style'' is a 1979 book by Dick Hebdige, focusing on Britain's postwar youth subculture styles as symbolic forms of resistance.〔 Drawing from Marxist theorists, literary critics, French structuralists, and American sociologists, Hebdige presents a model for analyzing youth subcultures.〔 While Hebdige argues that each subculture undergoes the same trajectory, he outlines the individual style differences of specific subcultures, such as Teddy boys, mods, rockers, skinheads, and punks.〔 Hebdige emphasizes the historical, class, race, and socioeconomic conditions that surrounded the formation of each subculture.〔 While ''Subculture: The Meaning of Style'' is one of the most influential books on the theory of subcultures, it faces a range of critiques.〔
==Influences==
Hebdige studied under Stuart Hall at the Birmingham University's Centre for Contemporary Cultural Studies. Hebdige's model somewhat builds from Hall's understanding of subcultures, and his theory of Encoding/Decoding. Hall sees different subcultures as representative of the variety of ways one can handle the "raw material of social ... existence."〔 Hebdige also incorporates and responds to the literary criticism of Richard Hoggart and Raymond Williams; the Marxist theories of ideology of Louis Althusser, Bertolt Brecht, Antonio Gramsci, and Henri Lefebvre; and the American subcultural sociology of William F. Whyte and Albert Cohen, and the French structuralism of Roland Barthes, Julia Kristeva, Claude Lévi-Strauss, and Jacques Lacan.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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